Culture Wars and Horror Movies Gender Debates in Post-2010’s US Horror Cinema
She was a visiting scholar at the CSER at Columbia University, New York (USA), and is the author of The Rebel of Chicano Cinema: Robert Rodriguez in the Transnational Era (2020). Carmen M. Méndez-García is an Associate Professor of American Literature at the Department of English Studies, Universida...
| Other Authors: | , |
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| Format: | eBook |
| Language: | English |
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Cham
Palgrave Macmillan
2024, 2024
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| Edition: | 1st ed. 2024 |
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| Online Access: | |
| Collection: | Springer eBooks 2005- - Collection details see MPG.ReNa |
Table of Contents:
- Part I: Female Bodies/Disposable Bodies
- 1. “Woke Gal Gone Bad: Gender Trouble and Populism in Ready or Not (2019) and Wrong Turn (2021)” Eduardo Valls Oyarzun
- 2 “Moral Waste in the Key of Horror: The Perfection (2018) and the #MeToo Movement Onscreen "Noelia Gregorio-Fernández
- 3. “Rape Culture, Horror, Genre Hybridization and Feminist Reception in Jennifer’s Body (2009) and Promising Young Woman (2020)” Asier Gil Vázquez
- 4. “The Culture that Can’t Anymore: Ari Aster’s Midsommar (2019) as Pilgrimage of a Traumatized Society”Marta Brkljačić
- 5. “Universal Darkness: A Transnational Perspective on Social Horror”Elena Furlanetto._Part II: Female as Creation Force Revisited
- 6. “Mother! Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s Mother! (2017)” Zachary Ingle
- 7. “Monsters, Women, and Magic: Intersecting Hierarchies of Gender and Religion in The Witch (2015)” Cristina Casado Presa
- 8. “Nature and Horror: An Ecocritical Reading of Take Shelter (2011)” Nisa Harika Güzel Köşker._Part III: Gender(ed) Anxieties
- 9. “The Masculinities of Neo-Confederate Cultural Warfare in Antebellum (2020)” Juan José Arroyo-Paniagua and Steven McClain
- 10. “Gaslighting, Entrapping, and Trauma: Notes on #MeToo Horror Films” Todd K._Platts
- 11. “Aging as a Trope in American Horror Movies: From The Children of the Corn (1984) to The Visit (2015)” Marta Miquel-Baldellou.-12. “Searching for ‘The Final Girl’: We Are What We Are (2013), Missing Testimonials, and Media Invisibility of Missing and Murdered Mexican Indigenous Women” Mayra Ramales