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230505 ||| eng |
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|a 9780262374118
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|a 9780262374125
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4 |
|a ML3877
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|a Brøvig, Ragnhild
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|a Parody in the age of remix
|h Elektronische Ressource
|b mashup creativity vs. the takedown
|c Ragnhild Brøvig
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| 260 |
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|a Cambridge, Massachusetts
|b The MIT Press
|c 2023
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| 653 |
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|a MUSIC / History & Criticism
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| 653 |
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|a Mashups (Music) / Philosophy and aesthetics
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| 653 |
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|a Mashups (Music) / History and criticism
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| 653 |
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|a SOCIAL SCIENCE / Media Studies
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| 653 |
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|a Parody in music
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| 653 |
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|a LAW / Intellectual Property / Copyright
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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| 028 |
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|a 10.7551/mitpress/14509.001.0001
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| 776 |
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|z 9780262545396
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| 856 |
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|u https://doi.org/10.7551/mitpress/14509.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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|a 781.1/7
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|a "Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--
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